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Rinomina : TREMORS

Exhibitions

27 February 2020

He has a book in his hand. An open book. 
Title and author unknown. Cover in black and white. Small, thick format.
A crowded train. the book. Fuzzy outside.
He's going to Berlin. Why wouldn't he come to Paris. 
One should take the opportunity. 
A chain of thoughts. Few minutes later I make a proposal.
___

Paris, January the 13th, 2020

 HOLa Jaza…como estas??
Que onda Crater et los chicos??
Cuando vienes a Europa ?

I will be in Brussels and Berlin in February for some exams. I would love to see you. 
I'm coming with Maria. 
How are you?

Many plans in the landscape. We should do something…no?
Is there an approximate date?
____

Opening: 27.02.2020, 7 pm at Rinomina

Of course we are interested, we love the grafitix.
Give me a couple of days, I have to talk to someone

…….. 

«…dida ha; ha ha ha haa
mesth uh; uh uh uh uhh
erratah ah; ha ha ha haa
Fêlati; hi hi hi hihi

Ettika - harraham
Ettika - harraham

dida ha; ha ha ha haa
mesth uh; uh uh uh uhh
erratah ah; ha ha ha haa
Fêlati; hi hi hi hihi

Ettika harraham, Ettika harraham

mesth uh; uh uh uh uhh
erratah ah; ha ha ha haa
Fêlati; hi hi hi hihi

Ettika harraham, Ettika harraham

défoncez-les ha ha ha ha haa
Internez-les hu hu hu hu huu
Pris en deux ha ha ha ha haa
Entre deux hi hi hi hi hi 

Il y à que montrer la planche 
Avoir ça chance,
Sauf erreur, malheur, douleur,
Il y à pas de medicine 
À folklore 
Voilées agrillée 
Sentiment distinguée 

Non assistance à personne
Non soutenez 
Ni jamais travailler
Ni te pas usagée
Ni te pas bâchée
Ni serpiller 
Ni te pas trop ravezer
Deux regime pas distinguées 
Reserré indemnité

Confiance! - Méfiance!
Confiance! - Méfiance!
Confiance! - Méfiance!

Ettika interdit deux
harraham défonce deux 
harraham prie en deux
harraham entre deux

dida ha; ha ha ha haa
mesth uh; uh uh uh uhh
erratah ah; ha ha ha haa
Fêlati; hi hi hi hihi » *

 

Jazael Olguín Zapata (México, 1987) lives and works in Mexico City. 
He is founding member of Cooperativa Cráter Invertido.
Interested in the intersections between genres and media: portraits that suggest landscapes, 
still lifes that are comics, the search for a space between figuration-abstraction; the borderline language between drawing and painting. 
Jazael mixes times, layers of art history and the individual digestion of popular imaginary through a crooked and submerged look. 

 

 

 

* lyrics excerpts from Ettika, Ettika, 1985

With: Jazael Olguín Zapata